On theCamera Statuswindow, you can change: On theAudio Statusscreen, you can adjust: On theOutput Statusscreen you can adjust: It is good to see Sony do this because lets be honest, no one likes dealing with endless Sony menus to make changes. The PXW-FS5 is a more compact and far lighter camera than the PXW-FS7, coming in at only 1.76lbs. We feel that the Sony PXW-FS5 has great build quality, image quality and value compared to its competition. The Electronic Variable ND system on the Sony cameras is a really impressive feature. As far as form factor and price are concerned, the closest cameras are arguably the Canon C70, RED KOMODO, and Z CAM E2-F6 Full-Frame 6K Cinema Camera. While the FX6 control and button placement look very similar to its big brother the FX9, if you look closely there are quite a few differences. To extend recording time and workflow flexibility, the FS5 is equipped with two SDXC/SDHC card slots. I am assuming that just like with the a7S III, that you will be able to record to both card slots simultaneously if you want to. The camera can go up to ISO 32,000, and even though there is significant noise at that level, the picture integrity is still there and the colors are still true. The a7S III has an enhanced 5.5-stop effective 5-axis SteadyShot image stabilization system, which compensates for five different types of camera shake. With this setting you will just get 2 channels from the FS5 if there is audio on both. With the end trigger recording, you can tell the camera when to end the shot and it will record the few seconds before that. S-log2 offers more dynamic range to cameras with 14 stops of dynamic range or fewer. V2 or above firmware required. All of these components have been designed to be modular so you can strip the camera right down for certain applications. With its adjustable grip, its reminiscent of the Canon C-100 and C-300 form-factor. The grip offers a joystick for menu navigation and, of course, a record button. Headphone: 1 x Stereo mini jack Thats a lot of light to compensate for. Reply to this Discussion! Page 28: Attaching The Microphone Because of the low megapixel count, the sensor readout is extremely fast, and this means that the rolling shutter will be almost non-existent. Solid-state memory camcorder firmware update ver. We were especially happy with the weight of the camera. There really isnt much in between. These include compatibility with the new UWP-D series of wireless microphones via Multi-Interface Shoe (MI Shoe) with digital audio interface, as well as compatibility with Sony BP-GL and BP-FL series batteries. That stronger E-mount is also handy for using heavier-long cine-zooms without having to add additional lens support. HVL-LBPC light does not draw power from FS5. Its our most affordable Super 35-mm camcorder, but its fully upgradeable. In that case, regular ProRes or DNxHR encoding is also available. Why? We were not impressed with the quality of the video shot at any of the higher frame rates. We most definitely recommend it if youre in the market and it fits your needs. The FS5 II is the obvious next step when moving out from behind the photo first camera that can shoot video to a camera designed specifically for video capture. FS5 II also offers High Frame Rate (HFR) cache recording at Full HD 10bit 4:2:2 image quality . Plus, Sony even upgraded the already great built-in neutral density filter. It captures 10-bit video internally and offers 5.7K RAW out its SDI. What about recording differences? By accepting all cookies, you agree to our use of cookies to deliver and maintain our services and site, improve the quality of Reddit, personalize Reddit content and advertising, and measure the effectiveness of advertising. Is it everything on you want? People are still likely to still complain that theres no internal RAW recording, there are no anamorphic modes and that it cant record in 6K, but as I mentioned earlier, most of the potential buyers of this camera dont require those things. The Kinefinty MAVO LF and MAVO 6K S35 could also potentially join this conversation. The FS5s E-Mount can take cinema lenses and SLR lenses with a third-party adapter, as well as Sonys E-mount and A-mount lenses. When I asked Sony directly if the FX6 was using the same sensor as the a7S III, the response I got was- The sensors in both cameras utilize the same technology.. Extend the capabilities of your professional hardware. The FS5 II is the obvious next step when moving out from behind the photo first camera that can shoot video to a camera designed specifically for video capture. Its easy to love this camera. Videomaker is always looking for talented, qualified writers. Dual XLR inputs FS5 II has two XLR connecters - so even if you remove the handle with its standard, easy-access XLR connector then a second on the body is still available, making it ideal for applications such as shooting in a confined space, such as . This product contains pre-installed software and requires the purchase of license keys to activate some functions. You can see an early look from B&H above. Sony is very much pushing the FX6 as being a lightweight, compact mobile production camera that can be used by solo operators. Setup Tentacle with Sony FS7 and audio timecode: Make sure your Tentacle device is running in "Green Mode". There are seven-level AF transition speeds from fast-switching between subjects as quickly as possible to slow, where speed is reduced to fit a more measured shooting style. The FX6 is just the second commercially available camera that I know of that can use CFexpress type A cards. If you switch to the 1.5x S35 shooting mode you are limited to recording in HD. . Depending on the lens you use, the full setup can easily stay under 3 pounds. It is the cheapest interchangeable-lens cinema camera that shoots 4K. The focus ring was slow to respond and offered very few degrees of rotation, making find focusing difficult. It will pick up room noise. Whichever option you choose, a phenomenal fourteen stops of exposure latitude ensures the highest fidelity in capturing highlights and details within shadows. Solid-state memory camcorder firmware update ver. Media Card Slots: 1 x MS/SD (dual Memory Stick/SD) From all reports the UHD 120p is very good on the a7S III, so it fairly safe to assume that the same will be true with the FX6. 4K is still perfectly acceptable and will still be for quite some time. Audio Input: 2 x 3-pin XLR No audio on Sony PXW FS5 Mark ii using a Sennheiser ewG4 lavalier/lapel mic. A 3.5-inch LCD screen can be attached in no less than nine different locations: three on top of the handle and another six on top of the body. Starting with slow pans going up to whip pans, the camera has some rolling shutter but not enough to be concerned about. Key Features Ninja V+ 5.2" 8K HDMI Recording Monitor Accessory Kit with Batteries & Charger Screen Protector, Sun Hood, Travel Case Master Caddy II, SATA III Cable Add a full monitoring and recording kit to your camera rig with this Atomos Ninja V+ Deluxe Starter Kit put together by B&H. All fine lines are still and look good. This is big for shooters who need to use muscle memory and shoot by feel instead of flipping through menus. Above you can see the difference between a standard sensor (on the left), and a back-illuminated sensor on the right. Raw, 2. Whether or not this is the same sensor that is in the a7S III is fairly likely. Sony didnt have a tendency to cannibalize their line up, but I think now because of competition from competitors, they kind of have to. Essentially it is an a7S III in a form factor that is much better suited for video applications. *S&Q from 1-60fps is available in these modes, however, it isnt available if you are outputting RAW over SDI. Below you can see what is possible to do. Because of its handle, it was easy to carry when not shooting. Sony was quick to point out that even though this High Sensitivity mode works in a similar way to a dual native ISO, they are not calling it a dual native ISO. We dont think this is a huge issue because most viewers these days are inundated with video from multiple cameras on a daily basis. Attaching the Microphone The camera is about the size of a grapefruit, and the body only weighs 1.8 pounds. All you need are SD cards. Sony is also working to encourage other third-party non-linear editing tools to adopt this functionality. A magnesium chassis ensures high rigidity with -inch screw holes on the handle, top and bottom of the body to support mounting on a drone, gimbal, or in an underwater housing. So how does the price compare to some of the competition? . Sony claims that this providesconsistently accurate, responsive AF tracking, even with fast-moving subjects while maintaining a shallow depth of field. The FS5 has two XLR connectors so even if you remove the handle with its standard, easy-access XLR connector then a second on the body is still available, making it ideal for applications such as shooting in a confined space, such as a car interior, or when mounting on a gimbal. This is a major problem if you want to run the camera on a gimbal and need to remove the top handle. Keep that in mind as we cover the competing cameras. Considering this is a camera aimed at solo operators, not having any XLR audio inputs on the body itself seems to be a major design flaw . However, unlike the FX9 that is downsampling from a 6K sensor to record 4K, with the FX6 you are getting 4K from a 4K sized sensor. In theory, the rolling shutter performance should be better than that of the FX9 and on par with the a7S III. Any of the cameras I have listed will get the job done in the right hands. The EVA1 is heavier than both the C200 and FS5 II at 4.5 pounds naked. A camera with fewer high-end options and a lower price tag might fit the bill a lot better. Read our article How to Use Log Video to Gain More Control Over Your Image to learn more about shooting with a log curve. We found it pleasing, though we also liked the color from the original FS5. Once in New York City, we shot around and in the High Line urban park area. Fujifilm X-H2S review: Fujifilms affordable ProRes 6.2K beast. If you go into the Quick Audio menu you can control and adjust all four channels of audio. The Sony FS5 II has so many great qualities, including its price. The FS5 is built around a high-sensitivity 4K Super35 Exmor CMOS Sensor that offers all the benefits of a large format sensor in combination with the exceptional image readout speeds required for 4K motion-picture shooting and super slow motion. Starting at the lowest ISO and ramping up to the highest, while adjusting the shutter speed to compensate, we look for where noise is introduced in the picture. The FX6 is an intriguing camera and its release signals that Sony has had to reconsider its strategy when it comes to producing cameras that start to overlap with some of their higher end options. Like we do with every camera that comes through the Videomaker Labs, we tested the FS5 IIs low light performance, rolling shutter effect and moir. The FX6 is expected to start shipping on December 10th with pre-orders starting on the 18th of November. Because the camera needs to operate at a high ISO all the time, applying the ND in more than just a step at a time is very nice. The value for us was just not there with the PZ 18-105mm f/4 G OSS; wed just rather spend the saved money on a better piece of glass. The worst argument I always hear in regards to resolution is that I am future proofing my material. With 14 stops of dynamic range, we were very impressed in the detail and tonal reproduction of the camera. Although in saying that, with a lot of people using speedboosters on S35 Sony E-mount cameras there is clearly a demand for the full-frame esthetic. The Sony FS5 is a lightweight camera with loads of options. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilization workflows. For on the go shooters like documentarians, wedding and event videographers and news gathers, the FS5 II is a lightweight choice. If you wanted an a7S III with electronic variable ND, SDI, XLR inputs, and a more video-centric form factor, then thats exactly what Sony has given you. Partner with us to reach an enthusiastic audience of students, enthusiasts and professional videographers and filmmakers. Shooting in UHD 4K with its Super 35 image sensor, its image quality is superb. CFexpress was announced back in early 2019, but so far we have only seen CFexpress Type B cards being utilized. That gives you the ability for 40x slowmo impressive! However, because it doesnt allow for internal 10-bit 4K video, youll need to purchase a monitor/recorder to get the most out of it. It was just far more usable on the FS5. Anybody compalining that they were expecting an FX9 in a smaller body with the same features for less money is living in a dream world. It is the cheapest interchangeable-lens cinema camera that shoots 4K. Each stop offers a bit more noise until you get to ISO 3,200, where it starts to be noticeable. Because if they didnt what would be the difference between the FX6 and the FX9? Despite a large range of full-frame mirrorless hybrids being available, the FX6 could arguably be considered the first truly affordable full-frame digital cinema camera from one of the large Japanese manufacturers. Lets compare the two (at least on paper). Of course not. Also available is FS5 II, which has continuous 120fps HFR recording in Full HD and FS RAW output as standard plus features enhanced creative look. It made the footage look great and got rid of the little noise we experienced. A big problem with the FS7 was the menu operation. Sony has priced the FS5 II very well. 4.00 (72 pages), Sony solid-state memory camcorder operating guide (112 pages), Manual will be automatically added to "My Manuals", Step 2: Using a Battery Pack or AC Adaptor, Step 4: Attaching the Handle, Accessory Shoe, Microphone, LCD Screen, and Grip, Step 5: Turning on the Camcorder and Setting the Date and Time, Step 6: Adjusting the LCD Screen and Viewfinder, Continuous Recording on the Memory Cards (Relay Rec), Recording Movies Using both Memory Card a and B (Simul Rec), Changing the Setting of the START/STOP Button and Handle Record Button, Using Automatic Focus/Fixed Focus Temporarily (Push Auto Focus/Focus Hold), Focusing on a Detected Face (Face Detection), Changing the Recording Setting/Image Size, Selecting the File Format and Recording Format, To Adjust the Amount of Light (ND Filter), Slow & Quick Motion/Super Slow Motion Recording, Recording Sound from the Internal Microphone, Recording Sound from an External Audio Device, Recording with a Multi-Interface Shoe-Compatible Microphone (Sold Separately), Assigning Functions to the ASSIGN Buttons/Dial, What You Can Do with the Wi-Fi Function of the Camcorder, Connecting the Camcorder to an Android Smartphone Equipped with the NFC Function Using One-Touch Connection, Using a Smartphone as a Camcorder Remote Control, Connecting Without Using the NFC Function (Android), Connecting Without Using the NFC Function (Iphone/Ipad), Selecting Suitable Settings Automatically (Full Auto Mode Setting), Customizing the Picture Quality (Picture Profile), Preventing Accidental Operation (HOLD Switch), Reviewing the most Recently Recorded Scene (Last Scene Review), Changing/Checking the Settings in Your Camcorder, Checking the Camcorder Settings (Status Check), Preventing Data on a Memory Card from Being Recovered, Settings to Adjust Your Camcorder to the Recording Conditions, Recording Settings, Input and Output Settings (REC SET/VIDEO OUT), Settings for Audio Recording (AVCHD AUDIO FORMAT/XLR SET, Etc. With the FX6, all you need to do is connect an SDI cable to an Atomos Shogun 7, and then you can record 12-bit Apple ProRes RAW. If its a video-centered interchangeable-lens camera you are after, the FS5 is best in its class. Above you can see how much higher up it is positioned when compared to the FX9. The FX6 can be used as your main camera, a B camera to the FX9, the A camera to a Sony a7S III, and so on. The FX6, at least in my opinion, pretty much offers everything that most users of a camera like this will need. Go beyond what anyone ever expected for a camcorder that weighs just 1.77 lbs. It has also has two XLR inputs and a hot shoe. Today, you can also pair the FS5 II with theConvergent Design Odyssey 7Q for the same functionality. 4K resolution: 11.6 million total pixels and 8.8 million* effective pixels deliver 4K resolution. With 960 fps being the fastest frame rate, it also offers 240 and 480 fps. Key Highlights Super 35 Exmor CMOS Sensor 360 Rotating, Detachable SmartGrip Onboard 4K Recording See All $4,249.99 Add To Cart Recommended Products Fujinon Fujinon MK 18-55mm T2.9 Compact Cine Zoom - E-Mount $3,799.00 Add To Cart CameoGear It was very slow to respond and just not conducive to changing any menu option quickly. Shutter Speed: 60i: 1/8 to 1/10,000 It will pick up room noise. When I brought some test footage into Premiere -- XAVC 1080p -- I noticed there are four audio channels. The Sony FS5 II adds in mechanical 2, 4 and 6 stop ND for even quicker operation. The Sony FS5 II is a small and lightweight camera that is ready for any shooting situation you throw at it. ), Display Settings (MARKER/DISPLAY OUTPUT, Etc. It has also has two XLR inputs and a hot shoe. The FX6 is being aimed primarily at the same target audience that owned cameras like the FS5 and FS7. Click here to contact a sales representative and request a media kit. It will be interesting to see how many potential FX9 buyers will now be rethinking their decision. You have to do this in the menu on the FX6. The grip and the monitor make the camera easy to operate if you have to shoot at low or high angles. Some wont take advantage of the ProRes RAW option because the format can currently only be edited in Final Cut Pro X. Read our article. I am sure we will eventually see the price of the FS5 M2 being reduced once the FX6 becomes available.
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